Jacob Philipp Hackert
(September 15, 1737 - April 28, 1807) was a landscape painter from Brandenburg, who did most of his work in Italy.
Hackert was born in 1737 in Prenzlau in the Margraviate of Brandenburg (now in Germany). He trained with his father Philipp (a portraitist and painter of animals) and his uncle, before going to the Akademie der Kenste in Berlin in 1758. Later he traveled to Swedish Pomerania and Stockholm, where he painted murals.
He spent from 1765 to 1768 in Paris, with the Swiss Artist, Balthasar Anton Dunker, where he focused on painting in gouache. He met and was inspired by Claude Joseph Vernet, who was already famous as a painter of landscapes and seascapes, and the German engraver Johann Georg Wille.
In 1768 Hackert left Paris with his brother Georg, and went to Italy, basing himself mainly in Rome and Naples, where he produced many works for Sir William Hamilton. He travelled all over Italy, gaining a reputation as a talented landscape painter.
In 1786 he went to work for Ferdinand I of the Two Sicilies in Naples. He advised on the creation of a painting restoration laboratory at the Museo di Capodimonte, and supervised the transfer of the Farnese collections from Rome to Naples. By this time he had an international reputation, and won commissions from empress Catherine II of Russia, king Louis XVI of France and others. When Goethe visited Naples in 1786, he and Hackert became friends. Related Paintings of Jacob Philipp Hackert :. | Parklandschaft mit Venusbassin im Berliner Tiergarten | Villa des Maecenas mit den Wasserfallen in Tivoli | Flusslandschaft mit Liebespaar | The Waterfalls at Terni | Fischerfamilie am nachtlichen Lagerfeuer mit aufgewuhlten Meer | Related Artists: Friedrich von AmerlingAustrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work, Philips Koninck1619-1688
Dutch
Philips Koninck Gallery
Little is known of his history except that he was said to be a pupil of Rembrandt, whose influence is to be seen in much of his work. He painted chiefly broad, sunny landscapes, full of space, light and atmosphere; they are seen from a high perspective, allowing a prominent view of the sky. Portraits by him, somewhat in the manner of Rembrandt, also exist (e.g. see Joost van den Vondel); there are examples of these in the galleries at Copenhagen and Oslo. Of his landscapes, the principal are View at the mouth of a river at the Hague, with a slightly larger replica in the National Gallery, London; Woodland border and countryside (with figures by Adriaen van de Velde) at Amsterdam; and landscapes in Brussels, Florence (the Uffizi), Berlin and Cologne. Koninck, a prosperous businessman, appears to have painted few pictures during the last decade of his life.
Several of his works have been falsely attributed to Rembrandt and many more to his namesake and fellow townsman Salomon de Koninck (1609-1656), also a disciple of Rembrandt, whose paintings and etchings consist mainly of portraits and biblical scenes.
Both of these painters are to be distinguished from David Koninck (1636?-1687), also known as Rammelaar. David Koninck was born in Antwerp and studied there under Jan Fyt. He later settled in Rome, where he is stated to have died in 1687; this, however, is doubtful. His pictures are chiefly landscapes with animals and still life.
Enoch Wood Perry, Jr. (1831-1915) was a painter from the United States.
Perry was born in Boston on July 31, 1831. His father was Enoch Wood Perry, and mother was Hannah Knapp Dole. His maternal grandparents were Samuel Dole and Katherine Wigglesworth. The family moved to New Orleans with his family as a teenager in 1848 and attended its public schools. After working several years as a clerk in a commission house, Perry began formal art education. In 1852 he went to Europe for four years and studied with Emanuel Leutze at the Desseldorf Academy, Thomas Couture in Paris, and in Rome.Perry served as the U.S. Consul to Venice between 1856 and 1858. Upon returning to America, he opened a studio in Philadelphia.
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